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Third Text Africa is a joint project of Third Text journal and ASAI.

Third Text Africa publishes selected articles from the archives of Third Text, making these freely accessible to readers on the African continent.

  • RECENTERING ARTISTS 2

  1. Editorial
  2. Convergence: Images and Dialogue: Conversations with Alexander ‘Skunder’ Boghossian – Valerie Cassel
  3. Meeting with Rachid Koraichi – Leticia Cordero Vega
  4. El Anatsui: In the Public Space – Olu Oguibe
  5. Everlyn Nicodemus: Between Silence and Laughter – Jean Fisher
  6. Photographic Animateur: The Photographs of Fani Rotimi Kayode in Relation to Black Photographic Practice - David A. Bailey
  7. Review: Olu Oguibe; Recent Works - Anthony Ilona
  8. Review: Johannes Phokela - Paul O Kane
  9. Publication and copyright information
   

  • SOUTH AFRICA IN BLACK AND WHITE

  1. Editorial
  2. Fragments from Under a Telescope: A Responce to Albie Sachs - Pitika Ntuli
  3. Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation - Okwui Enwezor
  4. Disembodiment and the Total Body: A Response to Enwezor on Contemporary South African Representation - Brian Keith Axel
  5. A Deadly Explosive on Her Tongue: White Artists/Black Bodies - Ruth Kerkham
  6. Cape of Longing: South Africa and Kay Hassan - Shaheen Meerali
  7. Making Whiteness Strange: White Identity in Post Apartheid South Africa Art - Liesl van der Watt
  8. William Kentridge: A Process of Remembering and Forgetting - Tina Sotiriadi
  9. Publication and copyright information
   

  • REFRAMED 2

  1. Editorial
  2. In the ‘Heart of Darkness’ – Olu Oguibe
  3. The Artist as a Cultural Salmon: A View from the Frying Pan – Gavin Jantjes
  4. Meeting Carl Einstein – Everlyn Nicodemus
  5. How Africa Misunderstood the West, The Failure of Anti-West Radicalism and Post Modernity - Dennis Ekpo
  6. Africa, Art Critism and the Big Commentary - Everlyn Nicodemus and Kristian Romare
  7. Colonial/Post colonial intersections: Lieux de Memoire in Algiers - Zeynep Celik
  8. Displaying Authenticity and Progress: Architectural Representation of the Belgian Congo at International Exhibitions in the 1930s - Johan Lagae
  9. Review: Postcolonial Africa - Mario Pissarra
  10. Publication and copyright information
   

  • DIS/LOCATING AFRICA/S

  1. Editorial
  2. The Dakar Bienale 92: Where Imperialism Falls Apart - Clementine Deliss
  3. Johannesburg Biennale: Interview with Lorna Ferguson
  4. The First Johannesburg Biennale: Work in Progress – Candice Breitz
  5. Dak’Art 96 – Bryan Biggs
  6. Who’s It For? The Second Johannesburg Biennale – Jen Budney
  7. Dak’Art 98– Katya Garcia-Anton
  8. Dak’Art 2000: The Millennium Biennale? - Bisi Silva
  9. Jean-Michel Basquiat, please do not turn in your grave, it’s only TENQ – Yinka Shonibare
  10. Reply to Yinka Shonibare - Clementine Deliss
  11. The Ujamaa IV Workshop in Mozambique - Els van der Plas
  12. Publication and copyright information
   

  • RE/CENTERING ARTISTS

  1. Editorial
  2. Reflections of Uzo Egonu – Hiltrud Streicher & Uzo Egonu
  3. The Right to Claim the World: Conversation with Ibrahim El Salahi – Ulli Beier
  4. A Stylist of Subjectivities: Interface in the Photography of Ike Ude – Lauri Firstenberg
  5. Love and Desire: The Art of Ghada Amer - Olu Oguibe
  6. Review: Zarina Bhimji: I Will Always be Here – Jaki Irvine
  7. Review: Holding unto Own Space: Eight African Women Artists – Olu Oguibe
  8. Review: Jane Alexander: Sculpture and Photomontage – Jacqueline Nolte
  9. Review: Yinka Shonibare: Dressing Down – Richard Hylton
  10. Publication and copyright information
   

  • SURVEYING SOUTH AFRICA

  1. Editorial
  2. About Face: Aspects of Art, History and Identity in South African Visual Culture - Colin Richards
  3. Review: Earth and Everything: Recent Art from South Africa - Gabriel Perez-Barreiro
  4. Review: Contemporary South African Art 1985–1995 - Jacqueline Nolte
  5. Review: The Globalisation of Apartheid: Representing Power - Biko Agozino
  6. Review: Cross Currents: Contemporary Art Practice in South Africa - Mario Pissarra
  7. Publication and copyright information
   

  • RE/FRAMED

  1. Editorial
  2. The Oriental City: A North African Itinerary – Gareth Stanton
  3. The Making of Zimbabwean Sculpture – Jane Cousin
  4. Art History and Myth Making in South Africa: The Example of Azaria Mbatha - Rhoda Rosen
  5. ‘Sankofa: Go Back an’ Pick’: Three Studio Notes and a Conversation – El Anatsui
  6. Bourdieu Out of Europe? - Everlyn Nicodemus
  7. Africa: Art and Hunger, A Critique of the Myth of Authenticity - Eugenio Valdes Figueroa
  8. Review: Worlds Envisioned: Alighiero e Boetti and Frederic Bruly Bouabre - Michel Oren
  9. Review: Re-Framing Africa - Richard Hylton
  10. Publication and copyright information
   

  • MUD TIMES

  1. Editorial
  2. Our Bauhaus Others’ Mudhouse - Rasheed Araeen
  3. From the Suburbs of the Global Village: Afterthoughts on Magiciens de la Terre – Cesare Poppi
  4. In Vogue, or The Flavour of the Month: The New Way to Wear Black – John Picton
  5. Art and Art from Africa: The Two Sides of the Gap – Everlyn Nicodemus
  6. The Distance from ‘Primitivism’ - Tanya Fernando
  7. Review: Out of Africa – Richard Dyer
  8. Review: 'Vital': Three Contemporary African Artists – Sean Cubitt
  9. Publication and copyright information
   

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