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Doing things differently: the promise of Africa.cont
by Mario Pissarra, 20.05.10 | Topic: Opinion
When Jose Antonio Fernandes Dias, visual arts advisor to the Gulbenkian Foundation, was asked by the Mayor of Lisbon what he thought of the idea of a museum for contemporary African art in Portugal, an idea that came from the Minister of Foreign Affairs, Dias said that it was not...
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Decolonizing art in Africa: some preliminary thoughts on the relevance of the discourse on decolonization for contemporary African art, with particular reference to post-apartheid South Africa.
by Mario Pissarra, 25.11.09 | Topic: Opinion
This was initially presented at a lunch-time lecture at the Michaelis School of Fine Art in 2006. Some of these ideas have been further developed in subsequent papers. It is published here in its original form.1. The construction and imposition of “authenticities”“Indigenous” creativity in Africa was denigrated under colonialism. Africa...
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The stakes of art criticism in Africa
by Yacouba Konate, 04.11.07 | Topic: Opinion
[This article originally appeared in Gallery No. 19, March 1999, pp. 14-15; and appears here with the permission of the author and the publisher. Initial interest in republishing this article stemmed in part from the need to highlight the critical contribution of publications produced in Africa - Gallery was published from...
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The JAG is the SANG
by Mario Pissarra, 13.10.07 | Topic: Opinion
I have long argued that transformation of the South African National Gallery has been badly managed. Thirteen years into democracy it has failed to produce a demographically representative pool of curators. Perhaps more importantly, it has failed to re-orientate its Eurocentric origins by neglecting to prioritise developing relationships with other African...
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"Made in Africa" Biennale: Afrika Heritage and the Politics of Representation
by Ugochukwu-Smooth C. Nzewi, 13.06.07 | Topic: Opinion
The baggage of post-coloniality continues to weigh-in strongly in the discourse of contemporary African art, moreso when this discourse is coloured by the politics and economics of representation. In the 1990s, the contest that ensued in the global art space with regards to African art was one of representation and...
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Dirty Laundry: Can we think beyond Venice?
by Mario Pissarra, 07.06.07 | Topic: Opinion
I have previously argued that Africa’s representation in Venice is irrelevant when compared to the need to develop alternatives at ‘home’. In essence my argument is that we should not judge the success of South African art (or African or ‘non-western’ art for that matter) by its presence or absence...
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Curating as a transformative practice [Targeted Candidate III]
by Emma Bedford, 05.12.06 | Topic: Opinion
[Discussion document presented at ‘Institutions, Publics and Beyond: Curatorial Practices Moving On’, keynote panel at the first South Africa Curators Workshop presented by The Visual Arts Network of South Africa (VANSA) and Robben Island Museum, 20 November 2006]   In November 2005 I edited with Zayd Minty an Artthrob issue devoted to...
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Beyond current debates on representation: a few thoughts on the need to develop infrastructure for art in Africa
by Mario Pissarra, 20.11.06 | Topic: Opinion
The discourse on contemporary African art is a comparatively recent one, and has to a large extent been dominated by issues of representation: what image of Africa is or has been communicated to the world, and to itself? Who is or who should be representing Africa? And who and what...
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Open Letter to Salah Hassan
by Marilyn Martin, 17.10.06 | Topic: Opinion
Dear Salah I was present at the creation of the Forum for African Arts in New York in January 2000. Although I was uncomfortable that Africa’s ‘salvation’ was once again coming from elsewhere and that only three of the thirteen individuals invited to become members of the Board were living...
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Open the Gate
by Olu Oguibe, 09.10.06 | Topic: Opinion
[This letter was initially written in response to a letter from Salah Hassan and Okwui Enwezor to Robert Storr, Artistic Director of the Venice Biennale. It was copied by the writer to interested parties and is reproduced here with his permission.] To Dr. Salah Hassan Forum for African Arts September 19, 2006 Dear...
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